Archive for January, 2007

29
Jan

on writing by Sido

Untitled To write! It means the lengthy dreaming before the spotless sheet; the unconscious scribbling, and the idle play of the pen as it circles round and round a blot, and nibbles and scratches at the inaccurate word, till it is bristling with tiny darts, ornamented with feelers and legs, and finally, losing its legible word-from, becomes transformed into a grotesque insect, and as rapidly converted into a fairy butterfly.

To write! It means the rapt, hypnotized gaze, caught by the reflected window in the silver inkstand. It means the burning of divine fever on cheek and brow, while a delightful death chills the hand that chases words upon the paper. I means oblivion of time, the idle nestling in the corner of the couch while yielding free reigh to a very riot of invention. It means emerging from the debauch all tired and stupefied, but already richly rewarded, and the bearer of great wealth to be poured slowly out upon the virgin page in the circlet of light sheltering under the lamp!

Oh, to write! To pour out furiously all the sincerity within one on the tempting page, swiftly, quickly, till the hand struggles, stumbles, is exhausted by the impatient god that rides it so hard! And then, next morning, instead of finding a golden branch burst into bloom in one flaming hour, to gather only a withered briar—an imperfect blossom!

Sidonie Gabrielle Claudine Collete – la vagabonde

16
Jan

Remember November

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My dog November died today. Neither lost nor left but died. And he is never coming back. They say I shouldn’t worry, they say I shouldn’t grieve at all. To despair is to cry over what was already lost. That I shouldn’t wish him back. That I should not prolong the pain. That I should stop. That I should . . .  That I should. . . .  That, they tell me. Words, all words that never seemed comforting. If words could dispel sadness as easily as one could utter or write them, that I would be healed this instant. If words could make me forget, then I shouldn’t stop writing. But the words came out fast, one after the other and so did the tears and the tears blot the pages. Now the pages bore the memory of a loss. Oh, if it’s that easy then pour in all misery, that it may extinguish what cruel hands have written.

I should never forget him crouched on the piano like a penitent beast, playing Chopin or that time when we played Cesar Franck Sonata. To love in a distance, to have without holding. Now I am reminded of a corpse whom I sung a Puccini aria with. That I should be strengthened the next time I hum it. Nessun Dorma. Aye, no one sleeps. Now that he does not live, I shall stay awake in blind hope, to stare at death in the eye. 

But I thought I heard him walk towards the front door the other night and smelt the redolence of his breath through it. His sigh and putrid smell lingered and moved me to an inconsolable longing. I thought I heard him knock on my door, singing his melancholy or swaying to the groove of his blindly fuelled rage. Hurriedly, I unlatched the door only to find a pack of smoke welling out from the coldness of the night. He wasn’t there. He was never there like I imagined him, waiting, yearning that he might need me. I closed the door, more grieved, the way I would for several times but left the window open if he is too shamed to come in by the door. If love never found its way to my door at least it’ll find me, solitary, by the window writing this melancholy.

I was his other, his other self. I was the other half of him that he couldn’t afford to be.

I was the madness that drove him insane, the love that dare not speak its name. November; my soul, my life, my lust, my sin is dead and I never got to win his affection. Nothing more did I ever get from him, spare the mark of his teeth out of the rejection. He bit me, more than once. He fed on me and tore my skin with his bare teeth. Now, a faint blemish bore the memory of a mean bite. It left a stitch that marred. Anger like pride makes one blind if not deaf to agony. But I cared for him just the same, as one would, blind with love, to the likes of him.

So this is about November. My dog November who died today. The last time I saw him wag his tail, he was on the piano, playing Chopin. Now he lay beneath it in rigor mortis, arms jerked up, tongue out, eyes staring out into space. Neither lost nor left but died. Imagining empty days without him is like life without love. All moanday, tearsday, wailsday, thumpsday, frightday, shatterday. Outside the night grows a shade darker. The sun will rise tomorrow as today, but this time without November.

Oh, if he only knew of love.

“Only an idiot has no grief; only a fool would forget it. What else is there in this world sharp enough to stick to your guts?” 

–W. Faulkner, The Sound and The Fury

December 28, 2:30 a.m.

16
Jan

Bach2Rock

In this age of technological advancement and diversity, the mundane is always bombarded with the constant demand for novelty. The rise of various art forms paved way for new and diverse process in presenting art. But no matter how distinct a Boticelli masterpiece is from a Rembrandt or a Dali from a Pollock, there exists a sentiment true to every artist and to every awestruck admirer.

This demand for novelty shares the same effect in music. How is Bach, Mozart and Beethoven’s music relevant to the music of Louie Armstrong, Bob Marley, Freddie Mercury or just about any pop-rock artist?

Before the hoo-ha fame of pop-rock sensation (depends on what era you’re in: either you’re a disco fiend in the 70’s or you’re head banging and mush-pitting in the early 90’s) there’s Bach, Mozart and Beethoven that kick-started the development of music. Of course there were no Steve Tyler or Sting during the time when men wore frocks and tights or when carriages were at fashion but they were definitely commendable for their genius, evident on their works that exudes through time and change.

One can sit still and revel on the music of Bach on some idle Tuesday and venture into an experience, not into the Baroque era, but into a whole new dimension, into the world of sound: a musical drive, at work. At the same time one can embark on such experience by simply listening to Nina Simone, Miles Davies, Louie Armstrong and other jazz legends and reconcile to the fact that Jazz is the modern Bach. Bach’s music is a potent influence to jazz musicians as it purports to unravel the unlimited possibilities of music, jumping onto to every unpredictable phrase and style, in a way of improvisation (the heart of jazz). You have to experience it to believe me. Put on Nina Simone and be drifted into one of her songs “Say love me, leave me let me be lonely, you won’t believe me but I love you only, I’d rather be lonely that happy with somebody else. .” then she breaks into a fiery piano solo, running her fingers up and down into handful of notes with the rhythmic swing of jazz, really, you can say it’s eclectic, yes and that’s Bach!

We’re all familiar with Mozart’s music. We hear it on T.V and radio ads and even on certain kiddie rides on malls. His symphony No. 40 probably rings a bell to anyone or what’s more, it rings from your mobile phone! The ubiquity of a classical motif is evident up to now. Mozart has probably made the most of these and remains the most adopted phrases on most modern music. Listening to his symphony (No. 40), you’ll hear a familiar passage, the one you’d probably have in one of your wind-up toys when you were young or heard in one of those movies you watched, but later as it approaches its development section, you’d hear an even more interesting passage. As the violins run into a riotous melodic phrase you’d hear the instruments in the lower register break into a jumpy, somewhat, reggae-like riff, the kind you hear in one of Bob Marley’s songs, Stir it Up. Surprised? Ditto.

I always have this peculiarity of resorting to music whenever I’m in a pensive mood or in a funk, in need of an emotional healing. Well of course there’s T.V or any domestic device to tinker with, but I’ve always felt a tacit comfort when I listen to one of Beethoven’s Symphonies or a piano sonata perhaps (romancing my woes with Moonlight Sonata or Pathetique), in the same way as I would with the music of Freddie Mercury, Nirvana, R.E.M. Alanis Morissette, Fiona Apple, Silverchair, Pinkfloyd and slowly I’d slink farther from the of slum of despond, comfortably numb. Just like that.

14
Jan

the ASEAN thang

The ASEAN stint is finally over. And thanks to the organizer’s lack of concern towards the local orchestra members, we were spared from the rumoured ‘food poisoning’. Although the meal was in its usual delay, it was quite a relief that it didn’t give us gastroenteritis (or did it bet? Haha) Kudos to Coras efforts in manning a 30+ piece orchestra (who despite performs for 2 hours, has enough energy to whine), truly a miracle worker! But it is sad to note that the show was almost ruined because most people were suffering from acute upset stomach. Can you just imagine their condition? going in and out of the john with wearied faces forced into a grin as if saying ‘ I’m ok, it’s that darn food or that contaminated water I took’. Whether it’s the food or the water it is still speculated, but the show must go on. And so it did.

Instructions were clear. The orchestra is to be ready by 7:30, all in proper attire. The dignitaries arrived sometime pass 8:00, which for me was like an eternity of waiting. It’s a long and tiring wait. It’s a drudgery watching them schmoozing with a fellow elite. I felt like holding out a megaphone, like a Nazi on the loose instructing the camp  ‘PLACES PEOPLE! IF WE DON’T START THIS INSTANT THERE WILL SURELY BE AN EXPLOSION!’ that should shut them up and keep them to their seats.

Down beat, 9-something. Jubilate. 

Freddie Aguilar’s Anak suite with 3 Cebuana Divas.  I know it’s one of those songs you’ve sworn to outgrow like ‘suspenders’ and ‘knee-socks’ but I swear to God it’s heart- rending. Listening to him play was like tuning in to one of those records you’ve sworn to have shelved out and won’t be listening to till your next school play or your parent’s desperate attempt for some guilt-trip.

A hackneyed portrayal of “The Prodigal Son”.

Catchphrase: “Anak, bakit ka nagkaganyan?”   

Mandaue Children’s Choir. Nonot Kamo Kanako.

Sit back, relax. Bayanihan Dance troupe. Water, water everywhere, but not a drop to drink.   

Fashion show. Oh, Melanie Marquez is still smiling. What a relief.

Fast Forward.

Drum roll. . . . .

Out, Lea Salonga.

slap me. and i mean slap me good. I just wanna make sure im not in some astral world or a world there and beyond.

Are you one of those who dreamt to be on a scene with BIG BIG Stars like, Keira Knightly or in a fisty-cuffs with Brad Pitt? It’s supposed to drive you nuts. And I mean all goofy and bonkers and idiotic, right? Well it’s something like one of those frequent fantasies instead that you don’t wake from a slight pinch. Oh no.Lea Salonga in the flesh, all sweet and witty is too much for a faint at heart to handle. I was living a childhood fantasy. God, I’d pay anything to be a pebble on her shoe or a fly on her table. PPP. Picture (picture) Philharmonic Philippines. 

That was basically it. It went well, save for the food poisoning (daw?) and all. I’m glad there wasn’t an explosion. Everyone was literally and figuratively sick and tired though. But I went home feeling cool and all.   

Note to readers: there was an explosion. At least it happened behind closed doors. Gatorade and Immodium lang ang katapat.