Author Archive for love-ridden



27
Dec

The Heart That is a Home

by: Ronald Peter Dungog

In this house we made a home

four twinkling lights

a silent moon

one bright star-the heart that is a home

a struggle from the start

we were all cut not born

as time passed

we grew to know that firm hand

that firm voice exclamated with stinging ears

many  tear has fallen

many a hit a-taken

strangley never bruising

only later we realize, as wisdom awakens, our ignorance

as we suffered through her discipline

she suffered along with us

as we lived through our own experiences

battered, broken, beaten and stricken with grief

we have learned to come home,

to come home to the warmth of her light

to her unwavering strength

and took our pain as her own

lessening our own

as years pass our light brightens

and her as bright as ever

but the body weakens

but she was selfish

and only shared a little

the rest she kept for herself

knowing it would soon take her

only so late in our lives do we realize

that our light was brighter because she has been giving hers

as our hearts break and tears flow at her passing

we realized that

God truly does only take the best

The heart that is our home

Dec 14/07

Rest in peace Ma (September 22, 1951-December 12, 2007)

written by my cousin for his mom who passed away early this December. We are with you on this Ron. Truly deaths do amputate our senses as i am now at a loss for words. Although i barely even knew here i do not deny her existence, i do not deny the love and the care she has unselfishly shared. She was a remarkable woman, a remarkable mother and because she has fought well she will be prized; eternal love and eternal life. Truly God only takes whats best.She has shared her light, her love, which exudes time and death. May she rest in peace.

“Love is stronger than death even though it can’t stop death from happening, but no matter how hard death tries it can’t separate people from love. It can’t take away our memories either. In the end, life is stronger than death.”

21
Dec

Here are some gems i have gathered during my sojourn in kota kinabalu, Malaysia. 

HocupocusOut of curiousity. And besides it is recommended by non-other than Lady Connoisseur herself. It’s engrossing and hilarious mir. definitely worth the time. then again dead ringer for Tom Robbin’s spry wit.

Hornby2_1

I’m a BIG fan! 

Kunderas

the title sounds catchy. blurb reads "One is torn between profound pleasure in the novel’s execution and wonder at the pain that inspired it" Ian McEwan

14
Dec

On Death and other inconveniences

Tonight i can write the saddest lines.

Write for example " i am he who suffered a triple death and survived a thousand blows."

=============================

Death abounds me. None of the things i’ve written will level with the grief i am feeling.

=============================1_127196235l

"She was a woman of the house" this is how i come to remember her. My mind, reaching up to more than two decades of vague recollections, those brief encounters i’ve had with my Tita Baby.

It’s her, bent over, head held close to the electric fan while raking her disheveled hair to dry and nervoulsy muttering insrtuctions to herself than to anyone around her.

Even this last lingering image of her seemed vague and imaginary. All my life it seemed as if i’ve only known her for 10 seconds, this minute image somehow vanished with the sound of a coin that dropped on the floor that same instant, enough to drown the memory into oblivion. Till then i’ts as if nothing existed between her and me. Even up to now when i struggle to recall that brief 10 seconds, my thoughts seemed paralyzed as i remember nothing.

i thought i never knew and will never get to define her position in my life. That for the entire time we’ve been apart i will tend to forget her and that it will take an odd moment before she remembers me.

However, a phone call or a greeting card helps to retrace this lost connection.

Her death evokes an indeterminate feeling: there is pain that inpires tears and utter resignation to the irrevocable and there is of course ineffable joy for her eternal repose. The measures for survival from Crohn’s disease seemed almost too cruel for her.

Her passing which somehow amputated my senses reveals that there is nothing; no land nor ocean that separates me from her. Her death is her freedom from earthly sufferings and a confirmation of my unacknowledged affection for her.

Tonight we will storm the heavens to bouy you up to where it is better, where you won’t suffer, sans the evil . . . . till the next encounter.

=================================

I KNOW I AM NOT DEAD. I’M ONLY FORGOTTEN.

=================================

another form of death. Never never. No more November.

********************

December 14, 2007

25
Nov

young and twenty

I write for future read. That when i live to be forty i will not loose the memory of being young and twenty. To write for memory. Let this be the only known reason and the only connection to those brief joys and sorrows that went by. That i may remember if i ever should soon live to forget. Of flights and conquests and days of little or great significance. To retrace the miracles that once worked within me. The miracles of love that both moved and maimed me. I do not write for the joy of the multitude nor to grieve the sorrows of the lame. I write for myself, to myself and for a few others whom i share myself with. I write so that if i should ever grow old and weary i may recall those vanished hours and it’s fragrances and look upon a Jhik_1mirror reflecting me . . . when i was young and twenty.

sunday ritual

November 25, 2007

17
Nov

Never-Never

"Never-Never"
by Marge Piercy

Missing is a pain
in everyplace
making a toothache
out of a day.
But to miss something
that never was:
the longest guilt
the regret that comes down
like a fine ash
year after year
is the shadow of what
we did not dare.
All the days that go out
like neglected cigarettes,
the days that dribble away.
How often does love strike?
We turn into ghosts
loitering outside doorways
we imagined entering.
In the lovers’ room
the floor creaks,
dust sifts from the ceiling,
the golden bed has been hauled away
by the dealer
in unused dreams.

06
Nov

Half Asleep in Frog Pajamas

"You can lead a toad to water but you cant make her think."

this and more crackpot babble from "His Royal Weirdness" Tom Robbins.

"Timbuktu. The end of everybody’s road. The capital of Nowhere. Geography’s perennial avant-garde and the armchair traveller’s inevitable cul-de-sac. Timbuktu. Hometown of mystery, fugitivity’s final refuge, remote crossroads where Obscurity runs into Exotica, and Daydream and Exile intersect. Timbuktu. The far of which there is no farther. Out there. Gone. Closer to the moon than New Jersey. Rivaled by only Katmandu as the planet’s most musical city-poem. Tim-buk-tu. One of the phonetic wonders of the world. Great place to pronounce but you wouldn’ want to live there."

"Timbuktu.The last pure place. Isolation being the mother of purity. All men are jealous of Timbuktu bacause Timbuktu is removed from men, it’s the wholeness men have fractured, the sacred extreme they’ve traded away. Like Hell, like Heaven, Timbuktu is a palce in the brain, a place whose existence may be often doubtedbut never dismissed. Timbuktu. A constellation by which the imagination can navigate, the joker that hanst the map-maker’s deck."

"Timbuktu. A town made of pastry dough and starlight. A mirage you can walk around in– if you can stand the heat. Solitary, sealed, and shattered, it wears a mask beneath a mask behind a veil. Timbuktu. A dehydrated Venice, crumbling into a plexus of dust canals. Conceived when the sphinx lay down with the goldbug at a campsite half as old as time. The Sahara crackles in every bite of its bread, the ashes of dead books blow through its streets; the lost wisdom of a dozen races is buried under its drifts, never to be jiggled by the archaeologist’s spade. Timbuktu. A city only an adventurer would risk, only a romantic would forgive, only a nomad would find inviting, only a camel could love."

14
Oct

i am your gothic lover

  orpheus descending

i know November

i know you fear my weather

you fear the tides of which i drown you

over and over,

you fear that my sentences never end,

my statements and its horrific complications,

that i can be

a taut rope wrung in your neck,

a tireless, blow-hard delegate with

a sycophantic laugh and

an inclination to burn amongst the bluest proximas,

i am the face you shiver from in your sleep,

a nondescript seducer who gabs

cliché per cliché of grandiloqous ballyhoos,

jabbing words after words,

paltry of the kind

like an antiquated lover hooked on wine,

i am my own shame, grief and madness’

amanuensis,

i know i can be a bit too much

too much

for your tea-bag lungs,

too much like a mad poet’s allegory,

too much like a thick brew of history,

i am heaven, hell and purgatory

i am your gothic lover

singing a paean to madness

i bore the stigma on my skin

like a painting of a bad picture

i know November,

my dear non-gullible factor,

i know you fear every inch of me

and i

understand why you refused to descend from your tower

i think i really do, like

30 minutes

10 seconds

and 2 life-years ago

October 14, 2007

11
Oct

Because November

You Are

a celibate

sans the holy order,

a gamophobic beauty,

an elemental rarity,

a planetary rule of your own

because You Are a

natural wonder

Goldbach’s Conjecture,

a numeric enigma,

i cannot reduce you

into minimal understanding

like a simple Arithmetic and i

can not bring myself to

understand

why

i suffer

an infinite gap of Primes&Odds

this electric shame

after every.

you are my dis-

my un-

and mostly

you are the lack,

the lack in me.

october 11, 2007

29
Sep

The Man in the Bowler Hat

004srx12221784 by A. S. J. Tessimond
I am the unnoticed, the unnoticable man:
The man who sat on your right in the morning train:
The man you looked through like a windowpane:
The man who was the colour of the carriage, the colour of the mounting
Morning pipe smoke.
I am the man too busy with a living to live,
Too hurried and worried to see and smell and touch:
The man who is patient too long and obeys too much
And wishes too softly and seldom.

I am the man they call the nation’s backbone,
Who am boneless - playable catgut, pliable clay:
The Man they label Little lest one day
I dare to grow.

I am the rails on which the moment passes,
The megaphone for many words and voices:
I am the graph diagram,
Composite face.

I am the led, the easily-fed,
The tool, the not-quite-fool,
The would-be-safe-and-sound,
The uncomplaining, bound,
The dust fine-ground,
Stone-for-a-statue waveworn pebble-round.

painting by Rene Magritte, The Son of Man 
16
Sep

Lady Lazarus

Untitled_2 Lady Lazarus

I have done it again.
One year in every ten
I manage it—–

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?——-

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The Peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot ——
The big strip tease.
Gentleman , ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I’ve a call.

It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.
It’s the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

‘A miracle!’
That knocks me out.
There is a charge

For the eyeing my scars, there is a charge
For the hearing of my heart—
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair on my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash—
You poke and stir.
Flesh, bone, there is nothing there—-

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

painting by Schiele Egon ‘seating woman with bent knee’